We'll be celebrating this at the Internet Archive! As a lead-up, we're again hosting our Public Domain Film Remix Contest: https://blog.archive.org/2025/12/01/2026-public-domain-day-r...
We'll be having an in-person celebration at our SF HQ later in January as well, details to come!
For a literature-focused list of items entering the US public domain on 2026, Standard Ebooks has 20 ebooks prepared for release on January 1: https://standardebooks.org/blog/public-domain-day-2026
Interesting case in point is Argentina. The Falklands War happened in 1982, so well within some people's lifetimes. I learnt a few years ago that photographs and writings from Argentina from 1982 are already out of copyright. Photographs from the UK are not, and won't be until seventy years after the deaths of the people who took them. So total contrast between the two jurisdictions and reflected in publications about the conflict.
In the former Soviet Union, pre-1973 material is out of copyright. Again within living memory. I don't know what Russia etc have done with copyright since then.
> works by people who died in 1955
70 years. After death.
The rules have to change. 70 years is way too long.
As others have noted copyright duration is ridiculous. But more importantly it lacks severe counter-forces to balance out the explicit monopoly.
Since the point of copyright is to offer an incentive (to profit) from works it should be tightly tied to the market value of said works and the willingness of its owner to present them for sale.
If nobody keeps selling X there's no reason to let X enjoy the protection of copyright.
If X is kept for sale for the sake of keeping copyright alive but it's not really selling much that should also affect the nature of the copyright. For example, a minimum fee you have to pay annually to keep copyright going would cull out the works that are no longer commercially viable.
The fee could be proportional to the overall sales of the works so that if your works were a huge hit in the 80's but sales have trickled down to a minimum you'd have to pay more (from the profits you've obviously received over time) to keep it copyrighted (which would force you to balance your copyrights to your net income from current sales), but if you published an obscure album decades ago that never got much traction your fees would be negligible (but you'd still have a minimum fee you'd have to pay regardless) so you would be incentivized to give up the "protection" and make it cheaper for everyone to let it fall in public domain.
Further, the various aspects of copyright could be torn down in different timeframes. Let's say you wrote a successful book in 1963 which made money but no longer sells much. You probably wouldn't mind letting the copies of the book fall in public domain but if you could keep the option to hold onto copyright for derivative works in case someone wants to make a film out of the book you could do that (again, with annual fees, but these could be lower if the original book could be freely copied).
Or some other scheme. I could soon think of dozens if I wanted to but you get the idea. How about a tax on the sales of copyrighted works that starts from 0% but increases by some percentage point each year. You can profit first but as years go by you will have to start paying more and more to keep it going as the overall balance approaches unprofitability.
Copyright doesn't have to be a complete monopoly, it could have shades of gray. Sure there are exemptions already (such as fair use, in some countries, or right to make backups under certain conditions) but none of them address the commercial stronghold copyright allows for companies to keep works of art hostage for decades and eventually, for centuries.
I just noticed the site contains a very misleading description of what a Community Interest Company is. They are not necessarily not for profits (a certain proportion of profits has to be used for the stated purpose) and they are not as tightly regulated as charities (they do not get the tax breaks charities do either) .
That is not to say this particular company is a bad thing (I have not problem with people getting reasonable remuneration) but if you want to know (e.g. if you are considering donating) its something you need to find out on a case by case basis.
This is not well known in the UK, let along outside the UK.
Something about this page doesn't seem to work for me. Clicking the tiles doesn't do anything. It's not ad-blocker-related, I disabled those to test.
Finally! We'll get the Hollywood cinematic version of How to Win Friends and Influence People..
This article seems to imply that when works enter into the public domain depend on where they were published. This is not true! It's based on where you are and when it was published.I E, if you're in the USA and some work published in a death+50 year country is in the public domain in said country, it would still be illegal to distribute in the US.
Similarly, some works that are published in the US but are not in the public domain there could be perfectly legal to publish in a death+50 year country.
No software in the list, duration of copyright for software is not adapted to the specifics of the field, no hardware would exist anymore to make this kind of software useful. Pure waste.
Interesting that copyright terms vary so much globally. Are there any notable works from non-Western countries entering public domain in 2026?
I would’ve loved to see some notable highlights in this article!
Swallows and Amazons is on the list? My favorite book; when I was a kid I read Czech translation published in 1930s, so I shouldn't be that surprised it's entering public domain.
in my old neighbourhood, there was a couple where the husband creatd the intro-jingle for one of the major local news shows.
they are playing his jingle for more than 20 years now.
he became so wealhty that he could afford to tear down his old house, move temporaly to a hotel with the whole family, while the new villa was built on the old ground.
The maltese falcon (the book, not the movie) is entering the public domain next year!
This article and the articles linked in it only provide a selection of works entering public domain in 2026. Does anyone know of a database or list of works so that I can see all of them? Other than the Wikipedia article that only has a list of names.
Copyright has no business holding as long as it does.
A lot of WW2 heavyhitters from all sides:
Hitler, Mussolini, Patton, Churchill, Goebels. Even Anne Frank and Einstein.
nice
Nothing in Japan from what I could find here or elsewhere… don’t understand why
edit: thanks to the dead commenter for clarifying. that sucks.
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The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales.
Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living.
I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to tweak and modify content they consume within their lifetime. It's a balanced time scale rather than one that exists solely to serve mega corporations giving them the capability to hold cultural icons hostage.