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ygra10/01/20241 replyview on HN

> I think we can all sorta guess what professional photographers think of digital cameras and Instagram filters, and it kinda felt off topic

I guess the camera is »just« a tool to the photographer. If their job requires certain things that can be done more efficiently with digital photography (e.g. sports – there was an article here recently about how photography was done at the olympics), then I'm fairly certain they tend to choose the better option.

However, for more artistic things like his portraits, I guess it makes little difference. Probably similar to a carpenter who just likes working with hand tools instead of power tools. Personally I like my SLR camera and dread going to mirrorless eventually (or I have to upgrade as long as DSLRs still exist) – at the current point I still feel weird about looking at a screen and not directly through the lens. I also like having all the settings and knobs to turn to control the exposure.

And all that is more a preference thing because it's a hobby for me that's fun and I am not bound to any particular results or cadence thereof.

There's a series on YouTube, Pro photographer, cheap camera. I was impressed at how usable photos can still come out of essentially trash cameras. But perhaps that's what a professional photographer's skill is: Taking a tool, considering what it can do (and what it cannot) and planning the shot accordingly


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throwanem10/01/2024

Partly that, and partly the other thing. The tool can inform the work; I have a cheap junk Sears-brand lens from 1975 that does magical things with light and color, and I have shots I could not have imagined making before I discovered what that lens could do. (I'm studying lens repair just lately so I can fix its stuck aperture! This tool is worth a whole skill to me, to keep working properly.)

It isn't a professional photographer's skill, though, but a photographer's one. Anyone who tells you he's a photographer and can't talk intelligently about these tradeoffs, about the selection of constraints to fit the intent of the work and vice versa, he's lying to impress you and probably don't let him hand you a drink.