I agree that we're probably giving up something culturally and socially important by restricting the telling and remixing of stories, myths, characters, etc. As for co-opting work to spread a message the author wouldn't necessarily endorse, that interpretation sounds like one borne of a world with strict copyright that has trained people to expect all instances of a character or uses of a work to involve the author's permission. In a world without such an expectation that sort of usage would not be misinterpreted as endorsement.
> In a world without such an expectation that sort of usage would not be misinterpreted as endorsement.
Memory is associative not some perfectly indexed logical deduction. Play a clip of something next to something else and people link them even if it doesn’t make any sense.
It’s not such a big issue of someone is using characters from a novel in a new context, but we’re also dealing with recordings and deepfakes. Make a minor edit to a song and play it in a commercial and many people would get confused as to what the original lyrics where.
> that interpretation sounds like one borne of a world with strict copyright that has trained people to expect all instances of a character or uses of a work to involve the author's permission
I think rather it's borne of a world that views ideas as something to own, rather than something that you give to the world to enrich culture, arts, or sciences. There are people who desire perpetual copyright, and the eradication of the public domain. They see ideas as something they have a right to monetize until the end of time.