Correct. I didn’t say that sentence was the source of the conflation, I said it was the source of the Ansel Adams problem. There are other parts that mix together capture, formats, and display.
Edit: and btw I am objecting to calling film capture “HDR”, I don’t think that helps define HDR nor reflects accurately on the history of the term.
That’s a strange claim because the first digital HDR capture devices were film scanners (for example the Cineon equipment used by the motion picture industry in the 1990s).
Film provided a higher dynamic range than digital sensors, and professionals wanted to capture that for image editing.
Sure, it wasn’t terribly deep HDR by today’s standards. Cineon used 10 bits per channel with the white point at coding value 685 (and a log color space). That’s still a lot more range and superwhite latitude than you got with standard 8-bpc YUV video.