A little aside on story writing:
Police and Medical procedurals are the main settings for stories with the character growth flipped. Meaning, that in these procedural tragedies (typically, though some comedies do exist) the growth in the story, the change, is not in the internal lives of the characters, but in the story itself. The birth of this was with Edgar Allen Poe's detective stories [0], but most famously popularized with Sherlock Holmes. In these tales, the characters are very flat and unchanging from story to story, experiencing little growth through an individual episode. Though in recent media, we tend to see growth in characters over the course of a season, belaying the procedural model a fair bit
Some variations exist in the procedural setting with Legal, Journalism, Fire/EMT, Cybersecurity, Coast Guards, Forestry/Game Wardening, and Political setting serving as mostly variations to the Medical and Law Enforcement settings. The most novel and most recent additions to the procedurals are in Historical Restoration and Cooking/Kitchens. If I've missed any, please let me know.
So, to me, thing like copaganda more reflect the dearth of settings that the procedural model of story telling has available. The variations above really aren't as dramatic as the literal life and death stakes that Police and Medical situations come across every story. You can get close with Legal and Fire/EMT settings, and you can also have high stakes and life and death with Political procedurals, though typically off-stage. The nature of the audience's attention is just naturally going to gravitate to the most dramatic stories, and those are the Medical and Police ones, I think.