> artists and designers lack the consistent terminology to describe what they are doing

I don't think they do. It may not be completely consistent, but open any art book and you find the same thing being explained again and again. Just for drawing humans, you will find emphasis on the skeleton and muscle volume for forms and poses, planes (especially the head) for values and shadows, some abstract things like stability and line weight, and some more concrete things like foreshortening.

Several books and course have gone over those concepts. They are not difficult to explain, they are just difficult to master. That's because you have to apply judgement for every single line or brush stroke deciding which factors matter most and if you even want to do the stroke. Then there's the whole hand eye coordination.

So unless you can solve judgement (which styles derive from), there's not a lot of hope there.

ADDENDUM

And when you do a study of another's work, it's not copying the data, extracting colors, or comparing labels,... It's just studying judgement. You know the complete formula from which a more basic version is being used for the work, and you only want to know the parameters. Whereas machine training is mostly going for the wrong formula with completely different variables.