Very interesting problem to even consider. That said, I don’t think we even understand the what, how, and why of music. The rhythm precognition aspect mentioned in another comment makes me think it’s just a byproduct of time and counting with pattern recognition, not necessarily a music thing just a correlation by virtue of physics and the laws of the universe.
Consider 4'33".
"Universal music cognition" requires a strong exclusionary premise about what counts as music and more importantly what doesn't count as music.
Sure maybe you don't consider 4'33" music. That does not mean other people do not experience it as music in the normal ways people can experience music such as buying tickets, putting on fancy clothes and sitting in a performance space at an appointed time and as an excuse to go out to dinner and/or on a date.
But if your musical interest extends much beyond a Methodist hymnal, there are probably people who will opine that the subject of those interests are not "real" music.
To be clear, I am not opining that *4'33" is or isn't "real" music. Only that in a scientific context, there is no objective way to distinguish between music and non-music. Some cultures have practices that we can label "music" but within the culture they do not play a language game that includes the label "music."
Which is to say that any ecumenical approach to music in a scientific context is so broad as to be meaningless.
Humans everywhere seem wired to favour simple integer-ratio rhythms, but culture tweaks which rhythms become “natural.” This suggests a shared rhythm cognition backbone, yet enough flexibility to account for global musical diversity. The study is a solid counter to the claim that music structure is purely learned or arbitrary, while also showing culture doesn’t just ride on biology: it shapes what we actually use.
If you’re into music cognition, evolution of culture, or cognitive universals vs cultural diversity, this is the kind of data you want to see.