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burningChromelast Tuesday at 5:27 PM6 repliesview on HN

I agree that its a hard read, and seemingly never got to the point of the title of the article. I started reading it and by about the eighth or nineth paragraph the article was still ruminating on his gay love affair so I just skimmed the rest and I couldn't make heads or tails of the rest of it either.

Its shocking how bad some writers are these days.


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paleotropelast Tuesday at 6:17 PM

If you go further, the whole thing wraps around. His suppression of his own sexuality, led him to embellish, to write out his own internal dialogue into the "nonfiction" books he wrote. So it all eventually comes back to the thesis, but yes, it's a huge drag to read through, but then Sacks' own writing is so turgid and overly dramatic, like he was writing for an audience.

The first sentence too is apt, "butter colored suit that reminded him of the sun" is a great example of Sacks' writing style.

kryptisktlast Tuesday at 7:03 PM

If anything is shocking it is how modern readers have to be spoon fed bullet points and can't handle the slightest complexity of composition.

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giraffe_ladylast Tuesday at 6:44 PM

I love when the new yorker gets posted to HN because of how many people will proudly announce themselves not equal to the challenge of a mainstream middlebrow magazine article.

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cryzingerlast Tuesday at 6:27 PM

Respectfully, I'm not sure you can draw meaningful conclusions about a 100+ paragraph deep-dive article after reading the first eight or nine. The biography stuff is definitely relevant to the takeaways about Sacks' methodology and style:

> Other doctors had dismissed these patients as hopeless, but Sacks had sensed that they still had life in them—a recognition that he understood was possible because he, too, felt as if he were “buried alive.”

[...]

> Another patient is so aroused and euphoric that she tells Sacks [according to his telling in Awakenings], “My blood is champagne”—the phrase Sacks used to describe himself when he was in love with Vincze.

[...]

> “I know, in a way, you don’t feel like living,” Sacks tells her, in another recorded session. “Part of one feels dead inside, I know, I know that. . . . One feels that one wants to die, one wants to end it, and what’s the use of going on?”

> “I don’t mean it in that way,” she responds.

> “I know, but you do, partly,” Sacks tells her. “I know you have been lonely all your life.”

RodgerTheGreatlast Tuesday at 6:15 PM

The New Yorker's primary editorial thrust has always been that the author is more important than the subject, and the journey is more important than having a thesis at all.

RC_ITRlast Tuesday at 6:32 PM

Speaking of suboptimal writing, why call it a 'gay' love affair, when he was openly gay?

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