The world of the Digital Humanities is a lot of fun (and one I've been a part of, teaching programming to Historians and Philosophers of Science!) It uses computation to provide new types of evidence for historical or rhetorical arguments and data-driven critiques. There's an art to it as well, showing evidence for things like multiple interpretations of a text through the stochasticity of various text extraction models.

From the author's about page:

> I discovered digital humanities (“humanities computing,” as it was then called) while I was a graduate student at the University of Virginia in the mid-nineties. I found the whole thing very exciting, but felt that before I could get on to things like computational text analysis and other kinds of humanistic geekery, I needed to work through a set of thorny philosophical problems. Is there such a thing as “algorithmic” literary criticism? Is there a distinct, humanistic form of visualization that differs from its scientific counterpart? What does it mean to “read” a text with a machine? Computational analysis of the human record seems to imply a different conception of hermeneutics, but what is that new conception?

https://stephenramsay.net/about/