What do you mean by “exceptions”? Who are we, in our own infinitesimal slice of human history, to judge historic taste in art? And is naturalism the be-all, end-all of good taste? If so, we need to throw out the majority of art in the 20th century.
This is a question for an art historian, not some anon on a tech forum. (For what it’s worth, I find Medieval and Renaissance art to be about equally tepid despite the difference in execution. And plenty of people non-ironically enjoy Medieval art despite its supposed deficiencies.)
What do you mean by “exceptions”? Who are we, in our own infinitesimal slice of human history, to judge historic taste in art? And is naturalism the be-all, end-all of good taste? If so, we need to throw out the majority of art in the 20th century.
This is a question for an art historian, not some anon on a tech forum. (For what it’s worth, I find Medieval and Renaissance art to be about equally tepid despite the difference in execution. And plenty of people non-ironically enjoy Medieval art despite its supposed deficiencies.)