Yes, but: when I was young I used to love photorealism and hyperrealism, which is super-smooth-and-shiny art that conceals its process in order to awe simpletons. Then I bought an airbrush, and then true color computer graphics happened, and soon after that I began to appreciate brush strokes and the texture of pen marks and the idea of the personality of the artist's hand. But that doesn't mean the process-hiding stuff is non-art, or even bad art. What's wrong with creating an amazingly convincing illusion, wasn't that always the goal, historically? Also there are no prizes for effort, and if your artwork is only struggle, I don't want to see it. Unless you're really badass about it.
Art that takes tremendous effort but looks effortless isn't negated by my comment. The process and struggle is still there.
I really like Cory Doctorow’s description of why it feels empty, quote:
“Herein lies the problem with AI art. Just like with a law school letter of reference generated from three bullet points, the prompt given to an AI to produce creative writing or an image is the sum total of the communicative intent infused into the work. The prompter has a big, numinous, irreducible feeling and they want to infuse it into a work in order to materialize versions of that feeling in your mind and mine. When they deliver a single line's worth of description into the prompt box, then – by definition – that's the only part that carries any communicative freight.”