> I struggle to find this argument compelling, as it sounds more of a straw man argument than a legitimate complain.
Dude, there are entire websites dedicated to using diffusion models to rip off the styles of specific artists so that people can have their "work" without paying them for it.
You can debate the ethics of this all you want, but if you're going to speak on plagiarism using generative AI, you should at least know as much as the average teenager does about it.
"dude", I could counter-argue that many modern art is "ripping off" Turner's work, but since you know so much about the art world, I'm assuming you know what I'm saying.
Filters for "Van Gogh" or "Impressionist" or "watercolor" have existed for decades now; are they ripping of previous work without paying for it?
When does a specific trace becomes "intellectual property" to be ripped off? Does Mondrian holds the rights on colored squares?
If you don't understand that every living or read artist was "inspired" (modified) by what he saw and experienced, I don't know what to tell you; you come off as one of those people that seem to think that "art" is inspiration; There's a somewhat well known composer in my country that used to say "inspiration is for amateurs".
Having that posture is, in itself, a position of utter and complete ignorance. If you don't understand how you need to absorb something before you transcend it, and how the things you absorbed will define your own transcendence, you know nothing about the creative process and their inner workings; Sure, if a machine does it, and if it uses well-known iteration processes, one can argue if it is art, an artistic manifestation or - better yet - if it has intellectual rights that can be "ripped off"; But beating on the chest and claiming stealing, like somehow a musician never played any melodies composed by someone else or a painter never used the technique or subject decomposition as their peers or their ancestors is, frankly, naive.