Stephen Fry made the same remarks in a Q&A session some years ago: https://www.youtube.com/watch?v=8k2AbqTBxao
As a Brit I can't agree more with both, I find American humour so hard to relate to but I guess it's just a culture thing
I find more modern American humour much easier to relate to, probably because it has veered more in this direction. A show like Always Sunny seems incredibly British-compatible because it's about terrible people getting their comeuppance, yet still being sympathetic despite their failings.
Another great example of this is British SF, especially 20th century Doctor Who and Blake's 7, vs American SF such as Star Wars/Trek. The British version can be much bleaker. And of course Red Dwarf, which doesn't translate at all into American. (There was a single pilot episode)
Edit: someone downthread mentioned Limmy's Show and Absolutely, to which I would add Burnistoun. Scottish humor is even more grimly fatalist than English.
Yes, definitely a culture thing. I had a very difficult time finding most British humor funny when I was younger, but my personality combination of loving humor and comedy and also being incredibly interested in people, drove me to want to understand why British humor was funny when most of the time it just seemed so absurd.
It was a multi-decade path so it's very difficult to identify progression points, but slowly through exposure I began to "get it" and now I adore British comedy and humor. I still adore American comedy and humor as well, but the more exposure to the culture I got, the more I understood it.
Obviously that's just anecdotal, but I personally find it strong evidence that the humor divide is indeed cultural. The more similar cultures are to begin with, the easier the leap is.
To me the most exciting part of this is that it means there are thousands of other cultures on this planet that have humor that I have not unlocked yet. Someday I hope to!
Edit: for a very fascinating example of differences, I love comparing the UK version of the office to the US version of the office. To many Americans, David Brent mostly just came off mean and an asshole, even a poisonous one, whereas Michael Scott comes off as eccentric and clueless and unable to read the room, but overall a mostly good guy. That perception makes David Brent kind of hateable whereas Michael Scott kind of lovable.
Another fascinating point of comparison is the UK version of ghosts, versus the US version of ghosts. I'll leave comparisons and contrasts on those to others as I haven't watched all of the UK version of ghosts yet. I'd be fascinated to hear what others think of that, and the office for that matter.
Very interesting! Except I noted that he referred to David Brent from The Office, and we have a direct corollary to that character, of course, in Michael Scott from The Office. They really didn't change the formula for American audiences, he's absolutely still a comedic failure. Starting in the second season, he becomes a bit more of a lovable comedic failure, but the basic point of the character stands. And he is beloved by American audiences!
I also really enjoyed After Life (with Ricky Gervais). I wouldn't call him a hero, but then again maybe I would. So honest, so pissed off, so intelligent.
Sick Note with Rupert Grint, same thing. Brilliant.
I'm currently reading the Bobbiverse series. Sure the guy is sort of a hero. But he is also an antihero forced to do heroic things, while he just wants to geek out and enjoy his coffee while making star trek references.
I'm not British btw.
As an older American, I’ve always found British humor of the Monty Python type hilarious.
Unfortunately, I haven’t found a lot of newer material of this type. I may have to look harder.
His point of high church vs. Protestantism is a good one. We in the US practice a kind of competitive Protestantism designed--at least partly, if not mostly--to make the adherents feel good about themselves. There is a distinct difference between submission and proselytizing.
There is also something to the state of empire as well. The British empire had been in steady decline for a very long time before Adams or Fry started making people laugh, whereas the American empire has been ascending quickly since WWII. This sort of gestalt is hard to ignore and will certainly influence things. For example, would a 'Blackadder' sell as well in 1890? This is around the same time 'King Solomon's Mines' was selling briskly, and Haggard's story is instantly recognizable by any modern Hollywood writer.
On some level Americans are British people time-displaced by a couple of generations.