> While using AI tools for everyday tasks like finding directions is “low-risk,” human translators will likely need to be involved for the foreseeable future in diplomatic, legal, financial and medical contexts where the risks are “humungous,” according to Benzo
Now it's a classic, you need an expert in order to check the work of the machine, because the "customer" is by definition not able to do it.
Aside from highly technical domain, in purely literary works, I think that the translator is a co-author - maybe IP laws acknowledges that already? I remember the translation of E.A. Poe by C. Baudelaire for instance; I think you could feel Baudelaire's style because it is a lot "warmer" than Poe's. I've also read a translation of a Japanese novel and I was quite disappointed with it. I don't know Japanese but I have read/watched quite a few mangas/animes, so I could sense the speech patterns behind the translations and sometimes thought they could have made better choices.
In any case, one will still need a translator who is good at "prompt engineering" to get a quality translation. I don't know. Maybe translators can add this skill to their CV, so they can propose quick-and-dirty/cheap translations, or no-AI high quality translations.
Some suggest "no-AI" labels on cultural products already - I think if it becomes a reality it will probably act as "quality signaling", because it is becoming more difficult every year to tell the difference between AI and human productions. It won't matter if what you read was written by an AI or a human (if it quacks and looks like a duck...), but what the customer will probably want is to avoid poorly-prompted machine translation.
> it will probably act as "quality signaling", because it is becoming more difficult every year to tell the difference
Note that this only applies to something like a translation where there's some notion of a "correct answer". For other cultural products it's irrelevant (as you say, if it quacks like a duck ...).
Quality signaling is really only necessary in situations where an upfront investment is required and any deception is only revealed sometime later upon use. Safety critical systems such as airbags are a model example of this - a counterfeit of deficient functionality won't be discovered until it deploys, which in most cases will never happen.
That said, while I certainly can't speak to business or diplomatic translations, when it comes to cultural works (ie entertainment) the appeal of machine translation to me has been gradually increasing over time as it gets better. I don't generally find localization desirable and in some cases it even leads to significant confusion when a change somehow munges important details or references. Confusion which I'm generally able to trivially resolve by referencing machine output.