Neither nation promises universal income: 8,000 Irish artists applied, and 2,000 were accepted.
Likewise, with the NEA, since they offer grants, you'd need to qualify, apply, and justify your work, and probably renew on an annual basis.
Ireland selected the applicants randomly. I would suppose the 8,000 needed to meet qualifications first.
Ireland promises €325/week. The NEA grants seem to be on a project basis.
So neither of these programs are anything like UBI. UBI is the buzzword that sets us all atwitter with eager hopefulness and aspirations.
Artist grant programs are more like "publish or perish" research scholars. Most grant recipients view the application process as daunting and stressful, especially when it's not in their wheelhouse. "Grant writer" is a job title and a profession unto itself these days. Even charities and welfare organizations depend on grants themselves, so their recipients may be cut off if the grants don't come in on time and fill their budgets.
Ireland's program is like being on the dole. "Here's enough to subsist on while you do your art and try to establish yourself." After 3 years, they're cut off for 3 years, so the incentive exists to become self-sufficient in that time.
Subsidizing the arts has been the realm of religion, including Christianity, for thousands of years. Michelangelo and Bernini were among thousands and thousands of artists who were funded by the Church to create music, sculpture, architecture, images, and any other sacred object in their service. If socialism or communism are the first thing to spring to your mind, please rethink and consider that these philosophies sought to supplant the original collectives: religions; and the religious leaders and patrons were distributing wealth to every possible artisan and artist and composer and performer, in the service of truth, beauty, and goodness. Nobody knows the pain of shrinking churches like Ireland does, and so it really is incumbent on their secular government to pick up the tab here, lest the hands of artists become idle and restless.
Neither nation promises universal income: 8,000 Irish artists applied, and 2,000 were accepted.
Likewise, with the NEA, since they offer grants, you'd need to qualify, apply, and justify your work, and probably renew on an annual basis.
Ireland selected the applicants randomly. I would suppose the 8,000 needed to meet qualifications first.
Ireland promises €325/week. The NEA grants seem to be on a project basis.
So neither of these programs are anything like UBI. UBI is the buzzword that sets us all atwitter with eager hopefulness and aspirations.
Artist grant programs are more like "publish or perish" research scholars. Most grant recipients view the application process as daunting and stressful, especially when it's not in their wheelhouse. "Grant writer" is a job title and a profession unto itself these days. Even charities and welfare organizations depend on grants themselves, so their recipients may be cut off if the grants don't come in on time and fill their budgets.
Ireland's program is like being on the dole. "Here's enough to subsist on while you do your art and try to establish yourself." After 3 years, they're cut off for 3 years, so the incentive exists to become self-sufficient in that time.
Subsidizing the arts has been the realm of religion, including Christianity, for thousands of years. Michelangelo and Bernini were among thousands and thousands of artists who were funded by the Church to create music, sculpture, architecture, images, and any other sacred object in their service. If socialism or communism are the first thing to spring to your mind, please rethink and consider that these philosophies sought to supplant the original collectives: religions; and the religious leaders and patrons were distributing wealth to every possible artisan and artist and composer and performer, in the service of truth, beauty, and goodness. Nobody knows the pain of shrinking churches like Ireland does, and so it really is incumbent on their secular government to pick up the tab here, lest the hands of artists become idle and restless.