You have to look beyond the audio engineering on this one.
Using constrained mediums on purpose is often how the best artistic expression is achieved. For example, if the artist knows their channel is noisy and band-limited they can get a lot more liberal with the kinds of samples they use throughout. CD/SACD is kind of like 4K for television. The medium becomes so transparent that it causes upstream shocks in every other part of the process. You can no longer rely on the camera or audio chain to cover it up (unless you hobble yourself intentionally).
> CD/SACD is kind of like 4K for television.
In theory. In practice most stuff is distorted and compressed to death and might as well be 12-bit ;)
A CD is 100% technologically capable of having the duration and physical size of a vinyl.
With this logic you can argue the best audio medium is dirt because if you made good music with dirt, the music must have been so incredible to have counteracted the flaws of dirt as a medium. Ignore the fact that dirt cannot be used as a music medium. (Vacuous truth)
Reminds me of the Autechre album Tri Repetae which was labelled as “Complete with surface noise” on vinyl and “Incomplete without surface noise” on CD.
> Using constrained mediums on purpose is often how the best artistic expression is achieved
Artistic expression is not technology. Vinyl is strictly inferior as technology. That doesn't imply that it cannot have any advantages at all, but that wasn't the point being made.