Secret Agent has a slow, difficult beginning (~hour). Not much happens. And it's not clear why what's happening is happening, particularly for someone unfamiliar with Brazil's political climate in the 1970s.
As someone who's never been to Brazil, certainly not in the 1970s, watching Secret Agent still felt like being transported there. How did they make a movie that makes you feel like you're in a familiar place you've never been to?
And then after about an hour, it picks up a bit more, and by the end, it felt like they directly transmitted to the audience the horror of the Brazilian junta in all kinds of subtle and dramatic ways. We don't see the resolution of the main character's story because that moment is lost. Memories of his life are fractured (through disjointed audio recordings) or repressed (by those closest to him).
Hard to put it into words. I started out disliking it and ended up loving it.
Felt the same as you. It felt like you didn't quite understand what was happening or what was going to happen in the beginning. Only for you to miss the characters by the end.
Well said. I felt similar
> Secret Agent has a slow, difficult beginning (~hour). Not much happens. And it's not clear why what's happening is happening, particularly for someone unfamiliar with Brazil's political climate in the 1970s.
That's very much the director's philosophy. He values the dead time between things. I saw him talk years ago. He's a bit of an intelectual. Very competent too. I haven't watched Secret Agent yet though.
Beto Brant is another Brazilian director. He is phenomenal. Also artsy but his films usually work on a more traditional level as well. They're more satisfying. I highly recommend him -- particularly "O Invasor", "Ação Entre Amigos" and "Crime Delicado".
Good to know it pays off. I turned it off after 45+ minutes because I was falling asleep.
The world was impressive and immersive, but felt more like being on a tour than living a narrative.