alt Hacker NewsYou're talking about content. Only content can be "perfect" as you say.
When I'm listening to music, looking at art, seeing a play or a short film I want to feel connection to the humans behind it. AI is by definition missing that connection. That's what makes me retrospectively vomit at AI writings like these. That connection requires that the humans behind it are imperfect, the solo can have one or two sloppy notes, but at least it's genuine interaction. We have seen this same yearning for connection with all the "Don't use LLM to comment, use your true style of writing with its flaws" rules.
I'm 100% certain mainstream studios will be producing "perfect" content with AIs just like current mainstream pop stars have 10 ghost writers working on each song to create "perfect" songs. The good stuff will exist in the fringes as always and I'm ok with that as I've already been for years.
And the future may not be as settled as you think it is. Leaders try to sell you their vision of the future by saying it is settled and that things are certain, but that is because they want you to believe that, because if you and the masses believe so, it's more certain for the future to settle the way the leaders want. But you can also actively refuse that future and find a different future that's worth believing in yourself.
The riff comes first, the people come second. One of the nice things about punk and metal is how anti celebrity in a fundamental way both genres are. In histories of the genres, you will usually find such and such band made such and such invention that led to certain new structures being accessible. Of course the social background of the scenes where it emerged is important too but the history is traced first in terms of the riff. Or aka books like glazing a particular rockstars life history are rare, even though there are some "superstars" in metal and punk. The culture is very "only analog is real, digitals fake shit" but idk in some other ways they seem much closer to having not much difficulty accepting a valid musical work regardless of origin.