alt Hacker NewsClearly, you've never worked with a live video crew. If they have no practice, it's amazing how bad you can appear with a lack of appreciation of how fast things move. You also have to remember the camera/operator are really far away with a very large zoom. Things leave your field a view much faster than anticipated. After that, any correction becomes over corrections again because of the zoom factor. Also, I would not be surprised if people were watching IRL as much as their screens/viewfinders.
I've seen it in sports where someone just not up to speed is always behind the play and the center of action is just out of frame. At that point, you zoom out some to recenter and then zoom back in. Or the director cuts away and lets you catch up. But that's assuming competency up the chain.
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Hell, you can see it too in the latest F1 movie.
Shots in which the base plate was taken from live footage (crews trained in filming the sport) are stable and show all the action. Shots from Hollywood camera crews can barely keep up.
One may say this is a bad comparison point, and that it was an artistic choice, but I call bullshit on that. So much of the movie was based upon live footage that the ones that didn't just look amateurish.
And yet, both crews are professionals. It is difficult to film these things well.
> Things leave your field a view much faster than anticipated.
Not sure about that. NASA has been using Kineto Tracking Mounts and ROTI (radar-assisted and optical tracking) since 1981. Those systems were developed for the Columbia launch. I find it hard to believe that today's computer-guided cameras would let anything slip out of frame unintentionally.