Tangent idea: musicians should record every live show, and then put it on a streaming service, only for people who bought tickets to the show (possibly for an extra small fee on the ticket). Extra revenue for the artist, and a cool benefit for the fan (the liver performance you attended).
King Gizzard and the Lizard Wizard (yes really) do this, but not just for people who buy tickets to the show. They have 444 concerts up on Archive.org for free to all.
https://archive.org/details/KingGizzardAndTheLizardWizard
Plenty of other artists have free concert archives at https://archive.org/details/etree
I wonder if a band could put together a live stream concert published to a private stream sent to a movie theater. A bunch of fans of the band could get together and have the concert experience with fellow fans but not have to pay as much as an in-person concert. Movie theaters would have another way to get people in the door.
Fugazi released almost 900 shows on CD in the early 2000’s, costing 5 bucks a piece. Some of them are available on their Bandcamp page these days too https://fugazi.bandcamp.com/.
There was a German startup called Bleecker Street [1] about a decade ago that did exactly that. They toured with artists like Chris Rea, Simple Minds, and Mark Knopfler, tapping directly into the FOH desk at each venue. They would mix the audio live, even adding the ambient noise of the crowd to capture the live feeling.
Right after the show, you could buy fancy looking USB sticks, designed with unique elements of the artists, pre-loaded with the recording of the set you had just heard.
I still have a guitar-shaped USB stick from a Mark Knopfler show at a small venue in a tiny town in southern Germany. Honestly, it’s a far better souvenir than any picture I could have taken.
[1]: https://web.archive.org/web/20150205231438/http://www.bleeck...
This is very much a among jam bands - see https://www.nugs.net/
why not have it accessible to everyone so collectors can have a field day with it!
Nihil sub sola novum est.
This has been done. Peter Gabriel, for example, did this on one of his tours (I think Back to Front, but I’m too lazy to dig it up). The California Guitar Trio also experimented with it.
I’m guessing the fact that it’s not a widespread practice is that the return on investment (and we’re talking strictly the additional costs beyond simply recording the show) didn’t justify the effort.
Metallica does or did this. I still have some mp3 of the shows I saw years ago.
At the last "That Damn Show" in Phoenix (2001 iirc), a couple of the bands were burning and selling CDs from that show. Was kind of nice/wild to see.
There's a niche market for this. Whoever builds it will make a good living, I feel.
Why restrict it to ticket holders? I'm sure bands don't want to leave money on the table either. Metallica surely doesn't: https://www.metallica.com/store/live-metallica-cds/
I love going to concerts and I tried pitching this to producers, bands, etc. They just don't care unfortunately.
My mindset was: They already did most of the work, just exporting the audio (that already exists!) would give them extra income. Could be a subscription service, or pay per album, or even for free (it's a marketing channel).
Some bands don't want their live recording out there (multiple reasons: from errors during the live show, or to keep the experience exclusive, or they think some people won't want to go to see them live if they already can listen to it). There is also the aspect of "If we release it for free or in the platform, we can't never make an actual live recording album", which could make some sense.
For years I dreamt about this "Netflix for unreleased live concerts" platform but I couldn't reach anything. Maybe I am really bad seller, and I just needed help from someone with more experience with the industry.
I ended up doing this unofficially for my faovurite artist, with the help of friends and collectors, uploading bootlegs (sometimes amateur recordings, sometimes board sound recording), and catalogued so you can search for all the plays of a particular song, or an album, how many times this song was played, if there was a guest, filter by country, city, year, etc, etc.