alt Hacker News> Think of a violin made by a master craftsman: beautiful, precise, capable of extraordinary performance, but impossible to produce quickly or cheaply. It takes time, rare expertise, and materials that cannot be sourced at scale. You would not equip an entire orchestra with instruments like that.
Kinda lost me at the first sentence with this metaphor; you can and do equip an orchestra with instruments of similar caliber to the violins. Woodwinds are expensive. Bigger strings are expensive. Percussion is expensive. Maybe brass is cheap idk but there aren't many of them in an orchestra. In fact the plurality of instruments in most orchestras is violins.
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I think it is more referring to the quality of craftsmanship of the violin compared to other violins. You can’t make a whole orchestra of Stradivarius violins and their equivalents for other instruments (though what the Stradivarius equivalent is for timpani I couldn’t tell you :)
He's not talking about the number of violins, he's talking about the quality of them. Top-notch violins cost hundreds of thousands or even millions. But it's mostly famous solo musicians who own such instruments - an entire orchestra is not playing with those.
> the plurality of instruments in most orchestras is violins.
That only has to do with physics of sound intensity: to create a sound that is perceived as "twice as loud" as "one violin" you'd need ... ten violins.
I think they mean that everyone in the orchestra does not get a Stradivarius
Every instrument (brass, woodwind, even a simple triangle), past a certain threshold is expensive, and their sound is different to their lower priced peers, and yes, you can't equip every violinist with a $2MM violin, just because.
Also, saying that instrument X is higher caliber to instrument Y is completely wrong. They all needs immense workmanship to produce, and immense effort to play. This effort can't be compared. A double bassist's finger spread for the first three positions is almost equal to whole keyboard/fretboard of a violin, but a violin can play 8x more notes with a bow when compared to the double bass. Momentum is a strong adversary when you try to change direction with a full size German bow.
You might think woodwinds are easy. A French horn player needs to play adjacent notes with small lip movements. That's an unforgiving blade's edge. A tuba player needs lungs of a whale to keep that long notes, etc. etc.
Also, just because viola, cello and double bass looks like a violin is borderline insult to all of them at once, and ignoring the other heavy lifters like clarinets, oboes and fagots.
Like how the article outlines. An expensive violin is good for a solo performance, but loses its importance in an orchestra. Like how F-35 becomes the wrong thing when the theater of war calls for different conventions and operates with completely different dynamics.
P.S.: Yes, I have played double bass in a symphony orchestra.