The is the age-old music parochial thing. "Oh, he's just in a cover band, he doesn't write anything" / "Oh, she's just a composer, she can't even play the stuff she writes" / "Oh, he writes and plays his own stuff but knows fuck all about theory so it's not real music" / etc.

Me, I'm having a blast with claude code, MCP, and Ableton. I'm directing harmony and asking for arrangements and variations in rhythm, mixing, and production. Don't know if that counts as "making it myself", but then I was writing music before I could actually play any instrument at all, so :shrug:

When we recently added MCP to Ardour (a cross-platform FLOSS DAW), the goal wasn't to get the machine to make the music for you, it was to provide alternate ways of interacting with the DAW (particularly for those with visual impairments that make voice control preferable).

> I could just play someone else's record and pretend like I made it

How many "DJs" today could even find two records that they could key and beat match? Then physically mix them on the turntables with no software or sync buttons? AI is just going to make this worse...

Previous generations might have said the same thing about Ableton itself, vs playing a physical instrument. In that regard, AI might become just another power tool for creative expression.

Each genre has a fairly tight envelope within which to operate. Regardless 90% of tracks never make it to the finish line because hobbyists haven't learnt them well enough to groove them out. If with a little help these tracks were all finished then bedroom producers will over time learn what works and be able to explore more.

I will caveat my first comment by also noting that I am well versed in computer music history, and read many many papers in CMJ[1] and elsewhere about generative and automatic composition tools such as Emily Howell[2]. I do NOT have a problem with generative, algorithmic and automatic composition in this sense, as an extension of the creative intentions of the human composer, in the right context. See also Autechre[3] for what can be done with Markov chains and good taste. What we are discussing here is the musical equivalent of a dishwasher.

[1] http://www.computermusicjournal.org/

[2] https://en.wikipedia.org/wiki/David_Cope#Emily_Howell

[3] http://autechre.ws/

Addendum: I would highly recommend the Margaret Boden book referenced in the wiki on David Cope/Emily Howell, which is an absolutely fascinating read and was incredibly far-sighted in its enquiries on this topic.

I get why people make gut statements like this, and to me something does feel different about AI.

But I realize I have not seen any criticisms of AI generated music that are meaningfully different from criticisms I've heard of other advances/changes in music technology, whether performance or recording.

Sampling, scratching, drum machines, autotune, electric guitars even.

Welcome to the era of instant gratification.