This is basically advocating for open source games which is a completely different story than what stop killing games is trying to do.
There are tons of closed source games that have zero online component to them.
I don't see how you can actually argue that this is a good thing, especially when they say:
> The freedom to redistribute copies so you can help others.
That... basically kills the entire gaming industry.
Am I missing something serious here or is this really trying to advocate for that.
To be fair, the legislation also kills any sort of multiplayer games, so it's in the same spirit. It just takes the idea to its logical conclusion. As a game developer, if this thing passes, I would just not build multiplayer ever anymore.
> That... basically kills the entire gaming industry.
> Am I missing something serious here or is this really trying to advocate for that.
My reading of this was it was in terms of multiplayer games and servers. It was that the server should be freely redistributable and accessible. Much like you can download and run a minecraft server without owning a minecraft license.
The next sentence
> A multiplayer game cannot survive if only one person has the server files.
this was written (or 'output') by someone (or something) that clearly has not thought of the knock-on effects of those freedoms.
they sound great in theory, but in practice exactly one person will buy the game that cost millions to produce, put it up on a website for free, and then the studio will say "well, never doing that again".
by all means i 100% agree that an ostensibly single player game should not be locked behind a login or telemetry, and that platforms like steam should not be able to lock you out of playing games you paid for. but i dont think forcing the whole free software thing would work out how the author is imagining it.
> That... basically kills the entire gaming industry.
Pretty dismissive, no?
Jason Rohrer puts many (most?) of his games in the public domain, including "One Hour, One Life" [0] [1]. As far as I know, his game is pretty successful, by indie standards.
Teeworlds was at one point accepting donations, I believe [2]. Solarus has a donation page [3].
I'm sure there are many more examples that span the spectrum of payment options and cover different permutations of being online or offline.
To me, the deeper question is what are you actually purchasing? The bytes? The convenience? A slice of server resources? Developers and artists time?
I'm happy to give money to projects that I use, especially if it creates less friction than trying to go outside of the payment method and if the project is libre/free. I'm willing to pay for proprietary content but I have little expectation about what kind of service they're providing, especially they fold.
If there's a libre/free option, I would much prefer to invest in it. If there's a proprietary option that is asking for resources, I'm much less prone to give since it's clearly a transactional relationship.
[0] https://onehouronelife.com/
[1] https://github.com/jasonrohrer/OneLife/blob/master/no_copyri...
> redistribute copies
I read this more as game sharing. For example, say I buy a game and my friend also wants to play the game. In the past, I could just give them the disk and we both enjoy it. But today, with DRM and one use keys, this isn't possible. The game industry survived 20 years ago so there's no reason it can't survive without DRM and with sharable keys.
Given that I can already get a copy of any game in existence without paying, the quoted text isn't even a change from the status quo really.
yeah.
I think a more achievable model might be more like GOG, but with online.
GOG games remain closed source, but are downloadable and playable offline with no DRM.
But there's nothing about online/multiplayer play in the GOG equation.
It's not really advocating for open source games despite evoking Richard Stallman and Free Software.
A lot of people get all up in their feelings when it comes to "private property", like (hypoerbolic) "if they allow redistribution of abandonware, they might take everything" and it's just not justified. It used to be, for example, that copyrights on books weren't automatically granted and they were much shorter terms. You had to apply for copyright renewals. Why? Because of orphaned works and it was viewed that if nobody held an interest that they asserted, it was in the public good to place that in the public domain.
Abandonware follows the same principles. The arguably controversial part is that "abandonware" here includes "forced obsolescence". And I 100% agree that if you, as the publisher, make a game nonfunctional (or even greatly reduced functionality) then people should have the right to make those games work.
The most egregious cases are like Simcity 5, which was made online for literally no reason (other than "because piracy"). They tried to sell online features but that wasn't the reason.
The idea that this kills the entire gaming industry is just slippery slope hyperbola.
> That... basically kills the entire gaming industry.
> Am I missing something serious here
Only just that the video games industry as we've known it for the past few decades is basically already dead—at best, it's a hollowed-out husk of what it once was.
> That... basically kills the entire gaming industry. > > Am I missing something serious here or is this really trying to advocate for that.
What you might be missing is that the author advocates for free software (which is framed differently from open source), while games typically aren’t pure software, but rely very heavily on art assets. The movement for free software traditionally draws a distinction between software and art. This means that only the software part of each game would need to be distributable, not the entire game.