alt Hacker NewsFor those who haven't followed the camera world for a while, at this point a lens for a mirrorless camera will have a USB-C port to receive firmware updates.
Tamron lenses for instance will allow a wired control or a wireless dongle to communicate with an app/computer and change the lens behavior, switch what the physical buttons and rings do. Potentially you can manage stepping through settings for stop motion like effects, time lapses or stacking.
We're far from the days a lens was just metal and glass※. There are obvious downsides, but in practice it's actually a huge stepup IMHO. Every photographer is different and does different things, being able to fully adjust your gear is a godsend, especially as we need speed and reactivity.
※ there are still plenty, and plenty more will be designed and produced anew, but I don't think it's the major trend.
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> at this point a lens for a mirrorless camera will have a USB-C port
Ideally, camera bodies should support firmware updates via the body in a non-discriminatory way, but until then I wish manufacturers support firmware updates via USB-C.
Looking at you Samyang Lens Station. I think users have been sufficiently upset, and they're adding USB-C to newer lenses.
> For those who haven't followed the camera world for a while, at this point a lens for a mirrorless camera will have a USB-C port to receive firmware updates.
Iam not sure if this is a general truth. I recently bought a canon rf 24-70 f/2.8 which is pretty SOTA and it does not have an USBC port.
> For those who haven't followed the camera world for a while, at this point a lens for a mirrorless camera will have a USB-C port to receive firmware updates.
Besides the slightly interesting stuff Tamron is doing, why on earth would I want firmware updates for a lens? Also, this seems like it would be much more readily accomplished by the camera itself… if you’re doing weird stop motion racking and whatnot, why would you rely on the camera and lens being separate? Seems like kind of a pain to me.
This is only true for photography.
For some reason, cinema lenses are still - for the most part - purely mechanical. For film and TV, most camera operators still focus manually - often via gears attached externally to the lens.
Coming from modern photography, manual focusing is inconvenient and difficult to learn. But there's something very old-school cool about cine lenses. They feel great.