Mozart doesn’t feel right. The code isn’t beautiful and elegant. It’s not built to last (at least for ffmpeg) or be some kind of masterpiece. He writes code to get a job done or tickle some intellectual curiosity. It’s not beautiful but that’s OK.
I think Unicorn illustrates one of the issues with his style. It wouldn’t have needed to exist of the QEMU code was architected into neat components. But then writing spaghetti code that gets the job done is why he’s so fast and effective. It’s a trade off
I think there’s actually a sharp contrast with John Carmack here. Fabrice might be smarter and faster but Carmack is perhaps a better software engineer. You can really see the development of his style from Doom and Quake source code, where Quake 3 source is like a beautiful gem of a code base.
Mozart doesn’t feel right. The code isn’t beautiful and elegant. It’s not built to last (at least for ffmpeg) or be some kind of masterpiece. He writes code to get a job done or tickle some intellectual curiosity. It’s not beautiful but that’s OK.
I think Unicorn illustrates one of the issues with his style. It wouldn’t have needed to exist of the QEMU code was architected into neat components. But then writing spaghetti code that gets the job done is why he’s so fast and effective. It’s a trade off
https://www.unicorn-engine.org/docs/beyond_qemu.html
I think there’s actually a sharp contrast with John Carmack here. Fabrice might be smarter and faster but Carmack is perhaps a better software engineer. You can really see the development of his style from Doom and Quake source code, where Quake 3 source is like a beautiful gem of a code base.