alt Hacker NewsWe’re talking about the same thing but you insist that there is only one angle under which things aren’t confusing. I disagree. That’s fine. The two systems are isomorphic, and I genuinely believe that, given I’ve described every single caveat of Hepburn in the article, I’ve paid my dues for using it. YMMV. I even include the “finding in the table” part.
I think I agree that Nihon-shiki and explaining it upfront would’ve made the article more elegant. One constraint I wanted to hit is that a person should be able to read this article with zero knowledge of Japanese, and walk away with being able to conjugate almost every verb to every suffix correctly. This is more of a challenge to myself as a writer than any practical need but hope it shed some light on the choices and the framing. I liked Hepburn because it’s closer to how it sounds. You can imagine I’m using IPA instead if you want.
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The problem is that your explanation confuses phonemes with letters.
A spoken language is described by decomposing the spoken words into phonemes, where phonemes are sounds that distinguish words, in the sense that replacing one phoneme in a word with another phoneme will produce a different word.
While ideally each phoneme should be recognized by a distinct pronunciation, in the majority of the languages of the world a phoneme does not have a single pronunciation, but it is pronounced in different ways, depending on the context.
It does not matter at all how one chooses to write a Japanese word, with hiragana or with one of the various methods of romanization. For any writing system, you must know the correspondence between phonemes and how they are written. For very few writing systems there is a one-to-one mapping between phonemes and letters.
The Hepburn romanization does not attempt to be a phonemic writing system, but it attempts to be close to a phonetic writing system from the point of view of an English speaker. The Kunrei-shiki romanization attempts to be closer to a phonemic writing system than to a phonetic writing system. I my opinion a phonemic writing system is superior to a phonetic writing system, but it appears that for most English speakers it has been too difficult to understand the difference between such writing systems, so the Japanese government eventually gave up and they switched to Hepburn, to please the less sharp-witted English-speaking visitors.
Japanese has an "s" phoneme, which happens to be pronounced differently before the vowel "i" than before the other vowels, and before "i" it is pronounced similarly to an English "sh".
In the same way, the Japanese phoneme "t" is pronounced before "i" similarly to an English "ch".
Once you know these two rules, and the few other rules about the other Japanese phonemes whose pronunciation depends on the context, like "n" becoming "m" before "b", there is no point in mentioning them again.
In your discussion about conjugation there is nothing exceptional about the variations in pronunciation that are reflected in the Hepburn Romanization. They are just the general rules of Japanese pronunciation, like for any other words.
So any discussion about these spelling variations is misplaced in the discussion about conjugation, where it occupies a space without contributing anything to the understanding of the conjugation rules.
Otherwise, I think that your article is fine.
The systems are obviously not isomorphic—Japanese kana are not entirely phonetic (they are just mostly so) and the different romanization systems choose differently whether to follow orthography or phonetics more closely.
> hanas* + (i)masu = hanasimasu (wrong!)
I cannot wrap my head around how this line in the article could be defensible. Like, if I don’t understand how Japanese is pronounced or written, and I just rely on Hepburn, I guess pasting these fragments of Hepburn together don’t produce the right Hepburn in the end?
YMMV indeed, but I think the lesson here is “this is why you don’t use Hepburn when you’re writing an article about Japanese verb conjugations”.
Hepburn does make sense for somebody with zero knowledge of Japanese but it just gets in the way when you are trying to explain how Japanese works. So lesson zero is “don’t rely on Hepburn” and IMO if you are interested in pronunciation and listening you should be using audio as your primary source.