It's a great movie and a great scene, in some respects.

But I don't think the realness of being an orphan or being in war or being in love has much to do with the problem of AI slop, nor would I rely on some human essence to privilege human agents.

AI slop is just the aesthetic end of a deeper problem more closely related to the so-called banality of evil: how normal social and governance systems can have horrid effects notwithstanding high participation requirements. We rely on the unlikelihood of collective evil in juries, representative governance, and reputation to discipline markets, but AI and unlimited anonymous political contributions have changed that likelihood even more than the proverbial self-interest (attributed to Upton Sinclair, something like: It is difficult to get a man to see a truth when his job depends on not seeing it).