Rich Veitch, he and Alan Moore. As Moore would later write:

    "The One ... is a kind of landmark; a pulling together of obsessions and ingenious storytelling ideas into a coherent whole ... Its revisionist superheroics, while conceived at roughly the same time, predate Watchmen and Dark Knight in terms of publication, as does its packaging. Its political and humanist preoccupations were voiced before such sentiments became chic. Its deranged, culture-conscious humor offers an alternative and an antidote to today's rather gloomy trend of pessimistic, post-modern ultra-humans... Whatever it is that the comic books of the 1980s turn out to be remembered for, The One was right there in the thick of it, carving out a niche in the mainstream for dangerous ideas long before dangerous ideas became box-office certainties."