>If you have simple tastes, easily accept holes in their catalog and don't care about being served butchered "remasters". People who actually care don't use Netflix/Spotify.
Oh please, spare me the condescending bullshit.
Sure, there exists music that is on RED that is not on Spotify. There also exists music that is on Spotify that is not on RED (some of which I even listen to!).
I said "pretty much anything" and "most people". I stand by this. Most people do not experience major holes in the Spotify catalog and are perfectly well satisfied by the breadth of the catalog. If you aren't, that's cool, but you're in a minority.
If this weren't the case, music piracy would be more popular. It's not. RED has more music now than What.CD did, but the community is smaller. It's telling that it doesn't even get a mention in the OP. A lot of people who join aren't even particularly interested in music piracy but just want to use it as a stepping stone to other communities.
I'm not saying that music piracy sucks or whatever. I'm just saying that most people don't feel much need for it and are well-served by Spotify--which, again, has some huge advantages over piracy that I gave previously. I think it is useful to be realistic about this because it's easy reading an article or thread like this to feel a kind of FOMO and I think it's valuable to push back against that.
While I must sadly agree with your usage of "most people", I still don't understand why you thought it changed anything to the original claim that there is still a need for music piracy (for the aforementioned people who care). And note that I didn't pick particularly obscure artists, we're talking 10~100k ratings/followers on RYM.
> Oh please, spare me the condescending bullshit.
Why would I?