I read Whitaker article. And I completely stand by what I said. He was offended over the world "slave" to be used, by using contemporary language and so on.
That part she wrote there was response to the outrage Musk was creating. It is clearly said in the text and you need a whole dose of bad faith to pretend it is reaction to the movie only. And that outrage is about casting and wish for white only movies, everything else is an insult to people like him.
> The same with clamouring for pushing female characters forward in a deeply patriarchical tale or calling anything other than raceswapping the main character of greek mythos not progressive all point in that direction.
By pushing you mean "not suppressing". Fun fact: deeply patriarchal societies do in fact use female characters and write about women. I know, because I read old books. The need to not have them in stories is specific to just some patriarchal societies. The need to write them out of history and out of old books is also specific to certain patriarchal wanna be branches.
>That part she wrote there was response to the outrage Musk was creating. It is clearly said in the text and you need a whole dose of bad faith to pretend it is reaction to the movie only
I was referencing the text as a whole with more varied examples there including the bit about making the main character black.
>And that outrage is about casting and wish for white only movies, everything else is an insult to people like him.
Honestly I think an movie on asian mythology or medieval china or japan with american demographic inserts would draw criticism as well. And there's a reason we don't see it in the woman king or the like (which twists extremely in other ways some may deem progressive or woke)
>By pushing you mean "not suppressing". Fun fact: deeply patriarchal societies do in fact use female characters and write about women.
Yes they do. It's right there in the odessey. What was written out of the movie for example? Most of the maidservants being killed on oddyseus's return because of their disloyalty because Nolan said it was misogynistic. And in that bit about the backwards archaic values Emily points it out herself how to make it less 'backwards' nolan distorts the story without mending it in a sensible way. Beyond that he condenses in a way that doesn't favour focusing on these individual women (and various other characters which she cares less about) in a way that Emily would like according to her sensibilities. Same with not ommiting other bits so he can lay bare and focus on the victims of war rather makign them just opponents to the protagonist.