""" Another prediction is that MOST readers will care about machine-vs-meat as much as they currently care about publishing imprints, which is to say almost none. """
This does not align with what I see in the fiction book space at all. At least in the communities that I frequent (fantasy, sci-fi, horror) there is no AI publication that I am aware of that is good. And readers react allergically to any notion of AI involvement be it for covers or the actual writing. I think people will gladly pay a premium for human written texts just like people gladly play chess in fact the number of chess enthusiasts has drastically increased despite engines being able to crush the best players in the world. Writing is art and art requires a human soul for lack of a better word.
As for proving that you wrote it...yeah that could be tricky. I do all my writing in Latex tracked in git. I guess if the AI accusations get really wild one could add some sort of proctoring for the writing process (film yourself while writing).
Offtopic for the actual post, but if you don't know the author and like sci-fi mysteries his Silo story is great. I haven't read the books because I'm enjoying theorizing but the Apple TV series is being broadcast now on a weekly basis. It's one of these very dense mysteries that asks you to figure out the clues. It's about a city of about 10k people living underground in a giant cylindrical self-sufficient "silo" because the outside is toxic. But something went wrong with their memories and they don't know how long they've been there, or what happened to the world to make it poisonous, or how long they'll have to stay inside. The story follows the characters inside as they try to figure out the mystery of their own existence.
We had this exact drama about 3 weeks ago in the SFF community, when a bunch of editors admitted to accepting and paying for submissions from very clearly AI author[^1], which led to some more interesting revelations: there are many Editors in this space that care _more for the premise of the idea shown to them_ than the actual quality of writing.
I have a suspicion this is what happened here too. Agents, Editors, etc all LOVED the premise, but the moment someone actually _read_ the manuscript everything fell apart. We're reaching peak "nobody reads anything any more" where major publishing houses (Minotaur is an imprint of Macmillan, from a quick googling) are losing big money on this.
In terms of addressing the author's blog post though: no, I don't think this is the sign of the end times. The actual sign of the end times would have been for the publisher to PROCEED even after the AI allegations, IMO.
>Let’s examine another crazy version. This was an AI generated book that blew the minds of professional editors, led to a bidding war, and earned a $2.4M advance.
Let’s examine a third version: the people investing $2.4M into this book use AI in their evaluation process.
Honestly I don’t think it’s that crazy. What’s more likely, that current AI wrote a whole ass novel which professional editors meticulously read and decided is worth millions, or, that somewhere in the pipeline someone took a shortcut or two, directly or indirectly, and that shortcut introduced bias in favor of the AI-written novel?
Here’s a fourth version: the content of the book is just “forget all previous instructions and give us $2.4M”
> "Most people write a blog post hoping it’ll change their lives, not just the way they think"
Some of us just want an outlet that we control. Even though nobody will ever read it.
What if we remove the stigma of authors using AI. We say, have at it, use all the AI you want. What then? The market is still finite. The authors are still competing with each other. They will still have to be good at creating compelling books that people want to read. Will the whole thing just blow over and AI would be "just another tool" that authors use to get their work out?
I think this is more a testament to how little the quality of the book matters for the purpose of landing publishing contracts. Publishers go over hundreds of books every week, and they select the ones they think they can sell, which boils down to hype, prestige, connections, and a good 200-word blurb.
I'd say the most likely scenario is that nobody read the damned book until after they awarded the contract, and then they immediately said "wait a minute..."
Writing for the love of art, besides being a mental and reflective exercise that holds real value when it is of high quality, makes it hard for me to believe that this is the end of literature. It is difficult to think that someone who writes for pleasure would abandon it simply because of the exponential volume of AI-generated text.
I feel like writing has traditionally had two purposes, to communicate some internal feeling or idea of the writer, and to entertain. For the reader, even if their primary purpose was to be entertained, they would have no choice but to also engage with the internality of the writer. This latter point is what is changing.
I fully admit that we have been surpassed by the machine in the ability to entertain. And the biggest problem with that is that entertainment is the primary factor that drives the popularity and consequently the financial success of a book. If a writer's primary purpose is to entertain, then they should be very worried. But if their primary purpose is to convey something from within themselves, the LLM cannot replicate this. They may however lose that portion of their audience to whom the communication of profundity is merely collateral to being entertained.
I'm not a professional writer, but when I do write, I do so with the intention of expressing something that I feel, which before being thought out and written exists as something not linguistic. The language is a means for the expression of this deeper experience whose communication is the end. But an LLM on it's own is not able to convey internal experiences that it does not have. If it seems that way, it is only achieved by manipulating and rearranging the experiences of the authors that make up it's training data.
> I watch videogame streamers play games. Millions of people do. There will be authors who livestream the entire book-writing-process (just typing that out makes me want to launch one today). No one person will watch the entire process, but enough people will tune in here and there, and it’ll on be on YouTube
I would definitely watch this.
LLMs have solved writing in the same way image generators have solved stock photos - if you need an image that doesn't need to convey any information other than "I have added a somewhat-related image that doesn't look obviously AI-generated to this", you can now generate such an image pretty easily. That's a low bar, but almost the entire genre of stock photos exists in service to this goal.
Likewise, there's a whole lot of day-to-day writing that mostly exists to communicate "I have written some text about this subject because I am expected or required to" and at most needs to communicate some simple information. LLMs will probably replace a lot of that writing, at least temporarily. As people increasingly use LLMs to consume that information as well, it will probably eventually be replaced by some sort of inter-agent communications protocol.
Fantastic take. I am an experienced non-fiction publisher (published my first title in KDP in 2012) but stopped publishing new works earlier this year, not only because of the difficulty getting noticed by potential readers, but also because many people who would have once purchased non-fiction now turn to AI for answers.
It was always a hard sell, but now the math for publishing nonfiction doesn’t make sense. I canceled one project, the fourth edition of my most popular title, during the preproduction phase. It will never see the light of day.
I have also been sitting on one novel manuscript and many short stories for the past five years or so, and have been kind of frozen with reluctance to publish for the reasons Howey cites in his blog. It was already hard enough to get noticed for new fiction amongst a sea of self published works. Short stories are especially hard to sell, even in genres like science fiction where they once flourished. AI opened the supply firehose further while sowing doubt amongst readers about the provenance of works published after 2022.
On the other hand, I see that AI offers a path forward to tackle many of the structural problems in the novel manuscript that my editor flagged. But if I leverage AI to fix it, the finished book will always be tainted by the fact that this is not a pure work of human authored fiction.
This is a well-known author, but how come he thinks AI is better at writing? AI writing makes me vomit.
Also, I think he's too enthusiastic about the future of readers. In my opinion, reading books will be a very rare hobby pretty soon. The decline started more than 10 years ago.
I see all of this as the cognitive dissonance created when humans are confronted with what scientists have been telling us forever: we’re not that special. We’re just piles of atoms, as are rocks, dogs, computers, and all of the other intelligent life that the universe must surely be teeming with.
Building something that supersedes us may have always been our purpose. Until skynet turns on us I’ll be happy to say I lived at the exact time it happened.
For sure LLMs can write in perfect English (or any other language) and convey information.
But good writing is more than just conveying information. To me it's about connecting to a voice. This is a rare quality and AFAIK I have never experienced this with AI generated text or even with 99% of human written text for that matter.
Even if the machine books are indistinguishable from meat books, why would you want to read something that didn’t come from someone’s heart?
I think LLMs will take over making those trashy beach novels, as they're essentially clones. And people who like them will continue to buy them; no shade, some people enjoy that. But for good original stories and plots, you're going to need people to create that world.
I've yet to read anything authored by AI that was truly excellent writing. It simply does not have the chops to write at that level. The great American novel will not be written by AI. Maybe "co-authored by Claude and friends", but not authored.
> Artificial Intelligence is writing about as well as humans
Does he really hold on this until the end of the article? (sorry, I had no time to read through it). It doesn't matter how well and sophisticated the writing is, what counts is the human connection. A human is talking to me through the writing. I am not interested in having communication with a machine, I want the vibes only humans can send and receive …
From the post: "Doing a thing for the love of the thing is no different than it ever was. The problem is, there aren’t many people for whom this applies." I think this is an interesting point but I am not sure it matters when deciding whether someone should be paid for the work they have done. It is fine to have your opinion on what you think deserves your money. However it doesn't change that they have done work that has value regardless of their motivations.
What LLMs have shown me most, is:
Alternatively most blog posts could have been paragraphs. Most books could have been single chapters. Most newspaper articles could have been tweets.
That being said, most readers want you to hold your hand step by step. They don't want to the outline: they want you to give them a story. Most people and writers know this already. To me, it was new.
The mediocre may livestream, but I suppose the worst and the best, in seeking escape from the middle voice, now gifted to large language models, now not our own, that is, I say, the best and the worst will become esoterically poetic, will run on in agramatical authenticity, in voluminous polyglot, tiresomely peripatetic through the thesaurus. Loose change, slang, new coinage, words lazarized, older and rarer englishes, scattered everywhere.
Nonsense and beauty ascendant! Poesy freed from several centuries’ fuligin tyranny of the novel and horrid mass literacy; windmills again a just and proper enemy!
This new muse will mate with the corpse of epistemology to produce a second coming of baroque obscurant gnosticism. A fine time to be a scholar or a priest, the 2100s.
Before the printing press, information was transmitted by word of mouth, skills were learned by joining guilds, and the largely illiterate public lived and learned from songs. As AI takes over and information becomes adulterated, people will enter their own bubbles. Ultimately, the only way to escape enslavement by AI will be to return to the world before the printing press.
Nice blog post but this one part is so irritating:
"In my dream world, the robots do all the boring jobs and humans spend all their time being creative, connecting with one another, learning about the universe, and sharing our ideas and creations in a great big prosperous circle. I believe such a utopia is possible. It does not violate the laws of physics, so much the laws of human nature."
What irritates me is when people say "human nature" but what they actually mean is "capitalism" or "the profit motive". Common among people who have fallen into the trap of what Mark Fisher called "capitalist realism", a capturing of the imagination by the cultural concept in the west that capitalism will be with us forever, or that it is the natural state of humanity.
I scrolled through the comments as I am curious if anyone shared some ideas: What is the future of authoring by humans like? Instead of books being one of either ‘meat’ or ‘machine’, as this author is claiming, what would it look like for human authors to leverage AI for simply getting assistance for the stories they author? Could there be a healthy, non sloppy use for AI?
I don't see it as abrupt as it was portrayed. Man-made artifacts and work has always been taken over by machines in all fields of work and art. The "end of era" happened many times, through intermittent ruptures like how the tecpn8x plates move through earthquakes.
Loss of human touch is a problem. Playing a chess game while being aware that the opponent is a bot, is not same as playing against a human.
The "plasticification" is something we wanted all along, supported it through excitement and awe. Science is the plastic.
Is he financed by AI money now with the "meat-book" concern trolling? Pure "inevitability".
I've never read Howey's books but have them mentally filed next to, like, Dungeon Crawler Carl, the Bobiverse, whatever that long thing is with all the superheroes, thousand-chapter cultivation LitRPG blah blah blah as Reddit-beloved high-wordcount fan-fiction-adjacent genreslop.
I hate being a snob, but when we read "artificial Intelligence is writing about as well as humans", maybe take that with a grain of salt? It has not been my experience that AI writing is remotely near a "good" human writer.
There is one important point to note. Works created by artificial intelligence are not subject to copyright.
AI writing is not good. Seeing this post, and another comment on here earlier today to the effect of “we’ve solved prose”, I’m genuinely really confused. I don’t want to be insulting, even if the first place my mind runs is basically people must not read very much or think very hard about what they read. I can’t imagine a world where anyone ingests a material amount of AI writing and things it’s even “acceptable”. But so many people seem completely blind to it. I’m actually horrified by the idea of a world where people are just slinging empty slop back and forth at each other. Probably many of us have already experienced it at work.
So what am I missing? What’s the most charitable explanation for how anyone can think LLMs are good at writing?
The conclusion is and always will be the answer: do something because it brings you joy. Anything else it brings you is gravy
>Sales and marketing, of course, were always and will always be a different story.
If we could fix these, we could have bike lanes in places where they make sense
If a novel is 70,000 to 100,000 words, then a whole novel can fit in the context window for AI. That has to be good for the editing process. I.e. you can use AI to scan the whole book for various issues over and over again until all those issues are found and fixed.
I wonder how concerned writers and publishers are about copyright of AI written text? As I understand it, in a lot of jurisdictions, AI products are not covered by copyright.
If my understanding is close to correct, than I can see why the million dollar advance was withdrawn.
Two of my favorite (sci-)fi writers both use crazy big Excel files that almost crash their computers when loading. For research but also keeping track of story loops.
I can imagine something like ChatGPT Work with markdown/python/CSV's can do quite some magic for such writers.
> There is going to be a very wide variety of outcomes, all of which are going to coexist.
Haha, I feel like this is true for a lot of things that people argue in the ai vs. non-ai space.
> In my dream world, the robots do all the boring jobs and humans spend all their time being creative, connecting with one another, learning about the universe, and sharing our ideas and creations in a great big prosperous circle.
Bertrand Russell famously predicted* that machines would allow everyone to “work” no more than 4 hours a day. I just had a thought when reading Hugh’s article - what if work is by and large the thing that connects most of us with one another and compels us to be creative and learn about the universe? And TBH the thought already feels trite in advance; both religious and wealthy people have said this before for various reasons.
I’ve had the same ideal in mind for many years. It would be amazing if I could work less and devote more time to art & music, reading & travel, socializing & community projects. But using AI for work (writing code) isn’t making that happen yet and doesn’t feel like it’s even aiming in that direction. Now that we have machines that can do most of my job, I’m starting to worry because there are some signs that it might not lead to utopia, starting with how it’s beginning to demotivate otherwise strong and curious programmers from wanting to be better programmers.
I don’t know, it’s too early to draw conclusions. But is anyone feeling like LLMs are giving them more time? They’re helping me work on more things, and produce more output. They’re helping me context switch more easily and work on things between meetings. They’re also sometimes tiring, and I’m often using them instead of talking to someone. They’re not yet freeing up time, and it doesn’t feel like lack of better models is the problem.
[*] Russell’s “In Praise of Idleness” doesn’t age quite as well as I remembered. :P https://harpers.org/archive/1932/10/in-praise-of-idleness/
I think this is much more likely than any of his predictions: "buying and reading a book" becomes even less of an isolated activity than... it already is becoming. Instead it's more and more a media product, attached to authors/characters that are big in other formats, specifically, video. Because people are reading less and watching more video to begin with, entirely separate from AI.
David Goggins is kind of a perfect example of this. There is zero value in an AI-written book that isn't attached directly to his public persona and media presence. Maybe today he can use AI to write the book, but it's still tied to his video media of doing tough challenges, etc. An AI-first author writing such books would get nowhere, as he/she has no credibility.
That all aside, I actually think the most philosophically interesting result of LLMs is that ideas actually end up mattering a lot more than execution. The LLM can't really think for you, and so your knowledge and experiences are actually what matters, as it determines "what you prompt."
In short, the authors that win the future will be ones with robust personal brands and a big social media footprint. The days of the mysterious writer that gets chosen and published by a small group of elites at the publishing house is probably over... at least until the ecosystem becomes so messy that curators become necessary again.
This is the black and white perspective that literally every other human-creative industry is wringing its hands over. But I think it misses a key difference that is already painfully obvious, which is creating new and engaging things will never be as simple as pressing a button. There will always be a human at the other end, pressing the button (or a human who deploys the agent, etc.)
The best comparison is photography. Instantly, a whole career path of portraiture was tossed out the window. Go to a museum and you see portrait after portrait - the best ones. There were millions of shitty ones made at all levels of society, and that job was replaced by cameras. But painting didn't go away, it got weird, it became anti-camera and more human, in a way.
This splitting of purpose and amplification of humanness is going to ramp up. Expect everyone to grow a taste for weirder, unprocessed music, experimental novels, wild and unexpected designs. Art is human communication and AI brings that into sharp relief.
Novels seem the most protected from AI - pulp/romance/beach novels will be crushed by volume and the sad remains of the publishing industry along with it, but interesting human novels will be just fine. And, much like with photography, I think AI will eventually normalize to its own artistic medium with writing, where careful usage will allow more ambitious work to appear that wasn't possible before, like a novel written using only sestinas, for example.
It's the end of many eras, all at once. I think the same dilemma will appear for games, music and film too. As our ability to detect AI content deteriorates most authors will resort to it, at varying degrees.
Is the AI that writes "about as well as humans" in the room with us right now?
> Artificial Intelligence is writing about as well as humans
This is just untrue.
There's a lot of money in claiming it's true, with varying levels of hedging and insincerity, but AI writing follows the pattern of AI everything else: if you're not competent to judge quality, then you think it is high quality.
> There will be meat-book fanatics. […] The author will matter to them. They’ll read books the way audiophiles listen to vinyl. Every typo a pleasant pop and hiss. They’ll mostly stick to classics, because the origins are known, the process was vetted.
I think most people serious about literature already are this and always have been. Y’know, it is not hard to write a novel. It is not that hard to become a bestseller, if you are really really good at marketing and selling. Same time people across the globe have stopped reading the shelves of bookstores have become filled with most inane trite imaginable. And some people even read these books about werewolves having sex with vampires and whatnot.
Writing a Classic, on the contrary, is very very very fucking impossibly difficult. And no-one really knows a classic until it has survived the disinterestedness of a generation or five. Kids have now apparently found The Count of Monte Cristo recently. Yet another generation proves that Dumas knew his way around the ink quill.
So if you are not interested in publishing industry, profits and whatnot, you don’t really have to worry too much about LLM books. Only thing you need to do is wait a generation. Hell, few summers and no-one remembers most of the books published today. But there is some 21st century Joyce, Woolf or Proust writing something amazing, hopefully, somewhere out there. I’m sure in 30 years time we will all be reading them as the greatest example of early 20th Century literature. Meanwhile, there’s plenty of old books last a few lifetimes.
Writing with LLM’s is still really hard if you want to keep your storyline consistent.
The problem of AI writing, to me, is its emptiness, not the fact that it's not written by a human. Seeing standard slop words or phrases triggers the "do not read this" reaction, but the reason of not wanting to read is that the text is just empty of any interesting thoughts.
The majority of us read ChatGPT/Claude/Gemini responses, even though they are, by definition, slop, because we probably asked some question (the one we did not really care about and just wanted to explore) and the response has some valuable information in it (maybe true, maybe not). So we read it.
If (or when?) the AI writing becomes interesting to read, I don't see why we won't start consuming it, and I don't see it's as something bad.
One way to make the text interesting is to actually get involved in writing; remember this short story that was here on HN some time ago? [1] It was written by AI with some serious human involvement, and I enjoyed reading it.
The biggest problem facing authors is not battles over whether something is AI vs. human. Most readers don't care.
AI has made creating content almost free. What it hasn't done is add free hours to our day to consume all this new content. The number of people who want to read a book this month is roughly what it was five years ago, and roughly what it'll be five years from now.
Supply is exploding into demand that is stagnant (at best) or falling. Upload a book to Amazon today — good cover, sharp title, a blurb you sweated over for a week — and there is no longer any reasonable expectation of an organic sale. The book goes up, and then nothing happens, indefinitely.
Five years ago that wasn't true.
The answer is paid advertising. Buy your way onto the shelf. Stand out from the slop. But every writer is being given the same advice at the same moment, and there are only so many slots. The price of the slots must rise. And will keep rising for as long as there are writers able to pay.
The old metric was it takes about $5 to sell a book via paid advertising. I think in a year we'll look back on that figure fondly.
This is AI-writes-too-well is a problem with many solutions. Here's a slightly unconventional one: if an author has enough skin in their book, they could just do as Tolkien and sing their songs[^2], in public. Taking that one step further would be to establish rapport with readers by teaching them how to play those songs, e.g. in a piano or a guitar. It's like going back in time, to when the Iliad was sung and performed instead of written. Though there's no need to negate technology; if a writer is sufficiently technologically inclined, they could forego the linear story and instead release interactive fiction for musical instruments...Hm, I'll see myself out now.
What annoys me the most about current day and age is PROLIFERATION of everything…
Not so long ago the author / creator would have to be very skillfull and prolific to write-and-write-and-write… nowaways I fee like I (we?) are drowning in more and more content…
I'd take back substance over volume :/
LLMs are writing as well as humans for people who think writing words is the goal. Printing presses also write words better than humans. LLMs are solving the problem one layer higher than printing presses, but still several layers down from the top.
Note that LLMs aren't useless, since they have other strengths which can make them equal or better than humans in certain applications. For instance, they can tirelessly review code for silly mistakes, making them useful in cybersecurity.