I wonder if part of that is that Blade Runner doesn't optimize for the first viewing. Once you already know where the plot is going, your attention is free to wander into the production design, sound, background activity
The first theatrical release had a drab narration by Harrison Ford. At places it makes it sound like a cheap film noir detective story.
The Directors Cut is the unbutchered version.
Maybe 4D chess by Ridley Scott. Most had seen the optimized version first and was prepared for the magic which is the recut version ;-)
I have the opposite feeling with Apocalypse Now. The Redux version killed the pacing and explained too much. The added scenes are by themselves worthwhile (and explains later actions) but makes the complete movie a bit heavy handed.
By comparison Blade Runner feels more ethereal even though the both cover dark subjects of human nature.
But it does! (Or did)
The first theatrical release had a drab narration by Harrison Ford. At places it makes it sound like a cheap film noir detective story.
The Directors Cut is the unbutchered version.
Maybe 4D chess by Ridley Scott. Most had seen the optimized version first and was prepared for the magic which is the recut version ;-)
I have the opposite feeling with Apocalypse Now. The Redux version killed the pacing and explained too much. The added scenes are by themselves worthwhile (and explains later actions) but makes the complete movie a bit heavy handed.
By comparison Blade Runner feels more ethereal even though the both cover dark subjects of human nature.