I also saw that interview, then out of curiosity I tried to find any evidence of this. There are some fan sites with ostensibly original X-Files scripts out there[1]. Looking through some written by Carter[2], I wonder if this is apocryphal, or if he was messing with her a bit.

[1]: https://www.boggsfiles.com/x-files-scripts-by-season/season-... [2]: https://drive.google.com/file/d/1BQbfRmeq3FsajjYcEuqDHv0kf2B...

Here is the interview where she mentions it, with the correct timestamp, backed-up just enough to give it context.

https://youtu.be/d3bCel607lQ?t=1162

"No widows" on its own isn't enough to create a distinctive dialog cadence.

"Widows" (alone at the top) and "orphans" (alone at the bottom) are single lines cut off from the rest of a paragraph by a column/page break. The solution is generally just to fiddle with column/page breaks, which is purely typographical.

I'm sure that there's a distinct identity to X-Files dialog; it's just not due to this quirk.

I can totally see a fellow typography geek bragging about this to someone and them being horrified haha.

ETA: I speculate that Carter was avoiding "widows" to be considerate to the actors by not splitting lines across page turns.

I'm also reminded of how David Milch supposedly wrote a lot of Deadwood in iambic pentameter. I only learned about this after seeing the show, but I did pick up the "Shakespearean" feel of some of the dialogue. Constraints often force creativity.

I just realized I have nearly always avoided widows and orphans because it felt bad to write that way.

I wonder if I was ever taught to write this way and forgot, but I feel like I just learned the terms for the first time.

Meanwhile Xfiles has a montage on YouTube of all the times the boom mic crept into the shot.

So I can’t super accept that these are geniuses - it was cheap TV.

In hindsight sure, whole cult following etc. but doesn’t mean it is well designed or even thought out.