I feel like that term could also be used to describe Wes Anderson's filming style. The static shots and dead-centered framing are as much of a deadpan comedic character as anything happening in the scene.
To some degree, yes, except that Anderson's sets and costumes are highly stylized to the point where they come across as contrived and artificial, which is at odds with the naturalistic deadpan aesthetic.
To some degree, yes, except that Anderson's sets and costumes are highly stylized to the point where they come across as contrived and artificial, which is at odds with the naturalistic deadpan aesthetic.