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card_zerotoday at 1:07 PM1 replyview on HN

Yeah, I wanted to say that too. You can't (always) separate enjoying the craft from enjoying the praise. People too often talk about the value of an art object divorced from its provenance, as if you could measure its goodness with a meter, instead of the value of the audience relating to the personality expressed in it, which means it's a communication, and the communication isn't all one-way. When you're crafting something you're initiating that communication. Of course you want praise, or distressed complaints or anyway some reaction.


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eszedtoday at 2:56 PM

I agree with all of that, but I think there's a bit of "ball-hiding" going on in most of these conversations. It isn't only that programmers crave(d) praise or social recognition (though maybe that's it for some), but they're also having to come to terms with the fact that their "art-form" suddenly has much, much less economic value. They were able, for a long time, to (and I say this absolutely non-pejoratively - in fact, just the opposite) have their cake and eat it too, by being virtually guaranteed to make a living (in practice, in the demographic most represented on this board, a very good one) doing a thing they love to do. It's gauche, in Anglo-Saxon countries, to talk openly about one's own financial circumstances, so that mostly doesn't get raised in these threads, but I can hear it in the background of most of them, like "whaddya mean no one's gonna pay me to solve interesting problems with code any more? Now I've gotta do that, if I'm ever going to do that at all, in my spare time, for free?"

And I so, so, so sympathize with that. I devoted 25 years of my life to the performing arts, from which - as a very unattached young man - I was able scrape an exceedingly frugal living. That, in the arts, is a success story - the vast majority make no living from doing it at all, in fact probably the reverse. Coders arguably have it worse: it's hard to see anyone making any money from "writing code", ever again. It's not surprising to me that they're confused and hurt right now: they have, quickly, sadly, and unexpectedly been pushed into the economic corner other artists always have occupied.