> Why would someone invest in an elaborate and expensive design when they could simply throw up a slab of brutalist concrete and punch some windows into it?
But why do the students of architecture prefer brutalism? I don't believe they factor the financials in when they choose which picture they like better.
Brutalism isn't cheaper. Not even in the secondary market. Brutalist masterpieces like the Barbican are highly desirable residences.
> But why do the students of architecture prefer brutalism?
Because they study architecture. The article is profoundly anti-intellectual. This discourse, that colleges indoctrinate people and, thus, cause them to disagree with some form of "truth" that the uneducated masses know.
>But why do the students of architecture prefer brutalism?
It's probably some combination of the subculture effect (i.e., subcultures tend to develop their own in-group aesthetics) and as a functional shibboleth (i.e., being able to "appreciate" things average people don't has an in-group signalling function).
Because the commenter you're replying to has no idea what brutalism is, and is confusing a ugly concrete block with holes in it with brutalism.
brutalism doesn't refer to the architecture being "brutal".
it refers to "béton brut" - french for 'raw concrete'. in this case, brutalism could be more readily understood as 'rawism'. it also emerged during (and is a descendant of) the modernist architectural period, which is well known for those boring, non-descript office towers.
there's nothing wrong with the simplicity of raw concrete. but just like other architecture, it can be done well and it can be done poorly. it can be done for utility, and it can be done for extravagance.
I think many people think of non-descript office towers when they think of brutalism, rather than all of the interesting things that can be done with a single material (shapes, textures, designs, etc. it's a very versatile + strong medium!).