> Odd bokeh was one of the risks of adding a mechanical aperture, and bokeh is very often weirdest at the first or second down from open.
Why? Where can I read/learn more about this?
This is usually due to the blade shape and quantity I believe. The aperture is most likely to be less circular on the widest apertures after fully open unless you have quite a lot of aperture blades, as the curve to make a rounder aperture is usually applied more towards the tip of the blade, and you're only seeing the base of the blades at wider apertures. That varies a lot by aperture design, however - if you have the more banana-shaped blades where the retaining pin and pivot pin are at opposite ends (like in a Yashica TLR) then I believe they can maintain a more consistent curve along the length. Those also suck massively to reassemble, but that's a different story.
I haven't seen a diagram of how the aperture in this new iPhone is designed yet. There's a lot of different ways to do it, with lots of odd shape possibilities.
It's not due to the aperture blades. It's due to the amount of spherical aberration in the lenses.
Professional camera lenses carefully control this. It's actually one of the only intentional "flaws" added to lens. Technically bokeh with a slight ring on it (on point lights) usually results in a tack sharp lens. You can see this in most macro lenses.
Portrait lenses are sort of the opposite - they want super smooth bokeh (point light sources in the blurred out of focus area will have a nice gradient that is soft and gradually drops off toward the edges). This results in a lens that has slightly less sharpness on the in focus portion. It's not that noticeable though on a great lens.
Most lenses are a balance. When shooting professional cinema many lenses are intentional chosen for their bokeh qualities. "Nervous" bokeh is more on the side of rings and is often found on older Russian and East German glass.
There are two lenses where the amount of spherical aberration is not baked into the lens. They were made by Nikon called "Defocus Control". The 105mm 2.0 DC and slightly older 135mm 2.0 DC both have a second ring that looks another aperture ring but allows adjustability of the spherical aberration from "nervous" to "smooth". They were marketed poorly and misunderstood but are some of the best glass you can get - they test insanely well and have huge flexibility.