That's partially why Burial's first album brought such a fresh air to the music scene. He didn't use a DAW, but a plain, boring audio editor Sony Sound Forge and adjusted his samples until the groove and the tones felt right.
I've also seen produces complain that the default BPM is 120 so they start there and later realize that it should have been changed. Minor annoyance, but it reveals the importance of defaults.
I think that’s definitely part of the sauce that his many imitators are lacking. It’s really hard to find anything that hits that high bar - have you had any success finding other artists releases that measure up? Moderat has a few - rusty nails, versions maybe
> I was always scared of people who had studios. Heroes of mine like Photek suddenly became Rupert Parkes in his studio, telling everyone how he did it. The magic got a bit lost.
> So I thought to myself fuckit I’m going to stick to this shitty little computer program, Soundforge. I don’t know any other programs. Once I change something, I can never un-change it. I can only see the waves. So I know when I’m happy with my drums because they look like a nice fishbone. When they look just skeletal as fuck in front of me, and so I know they’ll sound good.
[..]
>> So does that mean your drums are not necessarily in time?
> My drums are definitely not necessarily in time. When I try and do drums that are too regimented, they lose something. But the moment I put drums where I think they sound good, rather than in time, they seem to have that roll, the swing of the jungle and garage tunes I love.
06 https://blackdownsoundboy.blogspot.com/2006/03/soundboy-buri...