> a trend of ai winning awards is either indicative of the quality of the writing or of a systemic flaw in how these awards are judged (which seems plausible too).
I definitely think this is plausible, and I think we need to start extending the idea of code "smells" to regular languages as well. I have TAed for literature and have reviewed many a manuscript and except for really really finely honed projects with lots of editing in post, written text almost always has many of these obvious smells (cliches, fallacies, illogical juxtapositions, poor cause and effect). AI-generated prose is no exception. Character names, phrases, descriptions of sensory experiences that are off or not quite right, improper negation (LLMs still struggles with the idea of 'scope'), sentence structure being very predictable and one-dimensional (even when using the latest models and mimicking famous authors and poets and even with very careful prompting), so on and so forth, you get the idea.
> A perfect replica of a van gogh painting conveys the same artistic expression as the original.
I think OP's example was a poor one. A perfect replica of a van gogh painting indeed does convey the same artistic expression as the original. However, I think the better comparison is an understudy's mimickry of A Starry Night which seems inspired by it and yet adds nothing to the original and is somewhat deficient in some ways, and misunderstands the artistic intent of the original. That would certainly not convey the same expression as the original, and would be met with widespread criticism.
In your understudy metaphor, you seem to be suggesting that flaws with AI art are fundamentally due to deficient craft.
In that case, if you saw or read something that you considered high quality, and later found out it was AI, would that affect your opinion of it?