This enshittification and degradation of language (“ad-free”) is not surprising — it’s the same path cable TV followed.

But I struggle to understand the economics of the streaming sites listed in the article. They receive an all-you-can-eat monthly payment but have to keep acquiring (including, it seems, making) new content. The linkage between the two is very loose (monthly vs daily) and most videos etc show up as new and then fade down the rankings. Seems like a pretty crappy business, and Netflix being independent, points towards that in its financial statements.

Also, the existence of this sentence in the article surprised me: “ It doesn’t help that Disney+ doesn’t make the kind of original content that wins at the Emmys.” Winning a major one can have a small boost on a film’s lifetime revenue, but overall the correlation between the two is weak. To paraphrase (ugh) Pournelle: Disney would rather have a lucrative film with no awards than a lauded film with no revenue.