alt Hacker News> you're asking me to value the thoughts I get from the writing without regard for the thoughts that produced it. This seems dubious, if not actually oxymoronic
The archaeological record is loaded with texts of dubious or unknown authorship. Many of our oldest classical texts fall into this category [1].
That doesn't make them "oxymoronic" to engage with. Just more difficult. From a time when few were writing and fewer of their works survived, this is worth the effort. When a nickel of electricity can produce text, it's not–we need the filter of authorship to decide how much effort we, as humans, should expend in engaging.
[1] https://en.wikipedia.org/wiki/Homer#Biography,_identity,_and...
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In Jorge Luis Borges's short story "Pierre Menard, Author of the Quixote" we learn that Menard, the fictional 20th century writer of the eponymous title, immerses himself in the language and culture of 16th century Spain (pre-1602, to be precise), to the point where he writes a chapters of a book which are word-for-word identical parts of Don Quixote.
Yet the literary criticism of Borges's short story points out how the two texts have different messages.
For Cervantes, this is a book for the people, written in the language of the people.
For Menard, this is a book for specialists, who would understand the old Spanish language.
In the 20th century of Bertrand Russell and William James, the philosophical concepts that an educated writer like Menard would know are far different than 16th century Spain, so an expression like "history, the mother of truth" has different meanings.
Since you mention Homer, if I were to write of the wine-dark sea you would know I am referring to Homer. It brings along cultural connections, including its own Wikipedia page.
While when Homer uses it, it doesn't have those connections.
The idea that a text stands alone is a formalist style known as New Criticism, https://en.wikipedia.org/wiki/New_Criticism .
> New Criticism developed as a reaction to the older philological and literary history schools of New England, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship. The New Critics felt that this approach tended to distract from the text and meaning of a poem and entirely neglect its aesthetic qualities in favor of teaching about external factors. ...
> It was frequently alleged that the New Criticism treated literary texts as autonomous and divorced from historical context, and that its practitioners were "uninterested in the human meaning, the social function and effect of literature."
Borges's story is a commentary about this debate.
While the linked-to essay in the Chronicle made no mention of the long discussion of the relevant literary theories, seemingly insisting that analytical writing somehow stands outside that debate, by simply ignoring the debate.
...I'm not sure if you're agreeing with me? The identity of the author is not germane to my point, only whether there actually is an author, aka an actual mind. You could argue those old texts are worth engaging with exactly because they're our only links to those minds.
Ok, but when you're reading Homer or Socrates or the Bible (we're relatively sure it has several different authors), you're still engaging with a communal tradition of fellow readers who, in large part, define what it actually means to understand the text. If you read the Odyssey and decide it was actually about Pokemon, you're misreading it.
Are you trying to argue that archeological texts weren't written by humans? Because otherwise I don't understand how your comment is related to the parent comment. It has nothing to do with not knowing the identity of the author. It's about the author being a human.