Ryan Broderick of Garbage Day recently wrote about the Geese ‘Psyop’ and is very skeptical that the PR firm actually accomplished anything to boost their profile: https://www.garbageday.email/p/the-wild-geese-chase (ironically, until now with these articles, I guess!)
> “Unfortunately, a lot of the internet is manipulation … Everything on the internet is fake. One thing that we always say is all opinions are formed in the TikTok comments,” Chaotic Good co-founder Jesse Coren noted.
Why is this guy talking like this? YOU are literally co-making internet full of fake!
It's worse if you read the context[0]:
Interviewer: What would you say to someone who’s freaked out by these ideas that we are talking about — who feels like they’re being manipulated by artists and marketers online?
Coren: Unfortunately, a lot of the internet is manipulation. Andrew(Chaotic Good co-founder) would always say everything on the internet is fake. All opinions are formed in the TikTok comments — which is a reminder to us of what we can help with. I don’t know if this will make anyone feel better, but a lot of what we do on the narrative side is controlling the discourse. Most people see a video or something about an album that came out, and that first comment they see becomes their opinion, even when they haven’t heard the whole album. It’s really important for us to make sure we’re ahead of it and controlling that narrative in the direction we want.
[0] https://www.billboard.com/pro/digital-marketers-secret-tacti...
This is not true though. My two favorite bands from the past year were poorly-attended shows that I stumbled into. You can still seek out good underground, obscure artists - you just have to look for them.
Not trying to be elitist - like what you like. I just really feel like little artists need the support. Plus, it feels like there is a bit more satisfying agency and fate in looking for new things rather than being fed them.
Well, one thing I've discovered with the advent of AI music is that there are lots of things I like that are not particularly notable. I can listen to the 100th "1996 ESCAPE FROM DATA CITY + Unreal Tournament Mix" and enjoy it. I can't say that I've "discovered" an artist who then went on to become big. Back in the day, on amie.st there were quite a lot of cheap singles that I really enjoyed too but I can't find those artists again.
So, for people like me, the things we will listen to are the things you can get in front of us. I suspect there are a lot of others like me. The threshold for good is not very high for us so it's a matter of distribution. Of the numerous things we will deem good, what can you put in front of us? In a sense, I use platforms for their communities selection effects.
Reddit's /r/books has a top scroller with book titles on it. Right now are Mieville's Kraken, Ancillary Sword by Ann Leckie, The Names by Knapp, and Lolita by Nabokov, and so on. Of the times I've picked from the top scroller I've been pleased. The guys running that site are good taste makers for me even if they're paid for it.
If Chaotic Good breaks that pattern and pays them to put things I don't like, I will stop using the platform for selection. Such is life and I'm fine with it. But if they cross my threshold of good, I don't mind so much that in the frothing foam of artists some are elevated by their agents to slightly greater heights than others. The psyop is perfectly okay.
Dang, that hurt to read. I'm starting up a new news-ish site like the old TheServerSide.com, at https://bytecode.news, and I'm faced with the question of "how do I generate traffic in the face of AI and all the people willing to market, market, astroturf, market, market?" I'm not that kind of personality, I don't want to do tiktok or whatever the kids do, I'd far rather accept organic and slow growth over meteoric and unsustainable and undeserved success, even if "organic and slow growth" means failure in the end.
It's such an insane amount of waste that there are rooms filled with cell phones just to churn out spam. The same job should be doable by a single server. I imagine that it's only required because platforms are fingerprinting the phones to check for spammers but obviously those systems have gone from being simply useless to becoming harmful since it's now generating massive amounts of e-waste.
This seems like something that should be regulated. The cell phone companies can identify these customers/devices easily enough.
I actually don't think Getting Killed the album is well mixed, what turned me on to Geese was their From The Basement performance https://www.youtube.com/watch?v=qIol9hig2G4 the music and the mixing are incredible. I've followed From The Basement for a while, ever since their collaboration with Radiohead. So maybe this was a psyop, but the music is genuinely really good.
I had a very odd experience the other day; while waiting for a doctor’s appointment, I had a book I’d read pop into my head (Mercy of Gods, very good) and looked up when the sequel was going to release. It had come out that morning.
I can’t remember seeing any marketing about the sequel, I don’t use any app or service that would have told me it was upcoming or released, and I block ads; but it feels too enormous a coincidence for me to discount the idea that I had been primed to look it up.
I think most users of websites like reddit, x, and yes even HN don't realize how much traffic is inorganic. Marketing firms, government agencies, and many other interested parties with money to burn are absolutely aware that you search "best {product} reddit"
I've commented on this before, but I strongly suspect much of the narrative around AI is being formed with strong inputs from these patterns. What's your basis for thinking that codex is best for planning, but opus is best for implementing? Is it based on extensive experimentation and first hand experience in a non-deterministic environment, or is it that you saw a large number of people on HN and X say that?
Why was the dominant narrative on cursor coming within spitting distance of opus with a MUCH smaller team and less capital "LOL THEY USED KIMI!!" instead of "wow, open source models + a bit of RLHF training and some clever context management got within spitting distance of the industry giant and way cheaper"? The latter sentiment is a whole lot more damaging for a company eyeing an IPO with existing investors with very deep pockets.
I'll be very sad if I discover that Angine de Poitrine's sudden rise is inorganic.
it's called astroturfing and has been around since the dawn of the internet
But Geese is a good band. I just listened to 3D country to verify this. Yep, they’re still good. If it is a psyop, the psyop was only successful because they were a good band in the first place.
sitting in a local pub watching a musician I've never heard of play original music and absolutely loving it rn.
Reminds me of the documentary, “merchants of cool” https://youtu.be/0tYRoiJvhJ4
Really made me concerned w/ ad tech.
Why can't we have a system where this is baked in?
Ex CEO of Google says X about Y
I wake up There's another psyop I go to sleep I wake up
See also how Anthropic is playing us like a fiddle while making their models less capable.
Oh no!!! Tell me it ain't so! Someone--like a PR firm--is gaming the system to get attention for their client? No, surely not. Record labels used to use payola to get their bands played. This is the same but different version of that, only, social media makes it even easier and I'd assume cheaper.
I'll see your payola and astroturfing, and raise wining and dining newspapermen.
Well I for one appreciate TC for giving us and the masses a heads up of new spins on old astroturf methods. You simply cannot trust the algorithm to be organic. Find trusted people or specific trusted reviewers of things. Everything else you hear could be paid for.
I'd love for this kind of scam to be regulated, at least. "Not a real fan - paid endorsement".
They're violating ad labeling laws and the FTC should come down hard on them. While Republicans pretend to be against defunding of police that's only the police for poor people, commercial and rich people police have suffered all kinds of defunding and kneecapping at their hands. We need an aggressive war on slop or democracy is not going to make it.
[dead]
[dead]
[dead]
The fact that I never heard of this indie rock band until two days ago, when I came across three separate instances of it on forums, including on a tech website, is itself a psyop and you cannot convince me otherwise. Because why the hell would TechCrunch of all places write about it, and why the hell would it make the Hacker News front page.
But seriously, more than psyop, it’s the stupid recommendation algorithms pushing the same thing to people. It’s quite apparent when browsing music on Youtube and finding new discoveries. Everybody in your same niche is pushed the same new bands, rather than the algo pushing different bands to different people, as one would expect.
The reason that I completely missed Geese until the psyop reached HN is probably because it was pushed by TikTok which I don’t interact with, so I was insulated from it until the word-of-mouth phase of the viral spread.